The Dark Tower: The Wind Through the
Keyhole.
This is the first book review written for Type No Evil.
Stephen
King. The name evokes images of vampires, werewolves, antichrists, killer
plagues, haunted houses and demonic clowns. But, although he is known for his
exceptionally large back-catalogue of horror novels, King’s true talents lie in
other areas. He has written many novels that are best described as human
dramas, albeit with varying amounts of supernatural overtones. The Green Mile,
Hearts in Atlantis, and the Shawshank Redemption are just three of the powerful
stories that fit into this category. These all display a deep understanding of
the human condition and the joys and trials of life. But it is King’s least-known
work that is his true masterpiece: the eight-volume Dark Tower saga, set in the
mystical Mid-World. This rich, inventive, varied, heart-rending, exhilarating
story, despite its fantasy-world setting, feels more real than anything else written by King.
Constant
Readers (as King has affectionately dubbed his most loyal fans) have been
dreading and anticipating the prospect of an eighth volume ever since the door
closed on Volume 7: The Dark Tower, which was meant to be the conclusion of the
story. This latest book takes us back in time to an incident that occurred
between Volume 4: Wizard and Glass and Volume 5: Wolves of the Calla, and
involves our hero, Roland of Gilead, telling two tales to his Ka-Tet. As a
result, The Wind Through the Keyhole manages to be both a worthy addition to
the saga and a missed opportunity,
all at once.
The stories
that Roland tells are certainly worthy of the telling (although they lack the
life-shattering impact of the revelations in Wizard and Glass). The first is
the tale of a younger Roland on the trail of a shape-shifting murderer, and is
a solid mystery story with compelling characters. The second is a fairy-tale
that Roland tells to a boy he is protecting from the shape-changer (called a
Skin-Man) and is full of tragedy, hope, evil-doers, kindness, beauty and magic.
Both these tales expand on our
understanding of mid-world, and feature characters and that we are already
familiar with. The already clear splendour and horror of the Dark Tower’s
setting is made all the more apparent. Certain details about Mid-world’s
history and mythology are illuminated in ways that enrich our appreciation of
the rest of the saga. These stories are both mesmerising reads, and the dark
Tower saga will be all the richer for their inclusion.
However, the
framing story involving Roland and his Ka-Tet, the characters that Dark Tower
readers have come to know and love, is so brief as to almost seem like little
more than a device. It’s wonderful to see these characters again, and they all
get shining, defining moments. They are all just as we fondly remember them,
maybe even more true to themselves than they are in the previous books. We get
to know them a bit better here, and I say thankee. But I can’t help but wish
for more. There are no other breaks
in the Dark Tower narrative for King to jump back into, and it is very hard to
see how any of these characters could be revisited in stories set after the
story’s conclusion. So, in all likelihood, this will be the last we will read
of Jake, Eddie, Susannah and Oy. That’s a bitter pill to swallow. Sai king had
a chance to give us more than this, to give us one more full-length adventure
with these characters, and it’s difficult to see why he chose not to.
What I sense
from this novel, and from Stephen King’s comments on it, is that King is not
done with the Dark tower yet. What I would surmise
(emphasis placed to indicate wild, reckless supposition), is that King feels
the call to write more, but does not yet quite know how he can continue or
expand the tale. His muse (or Gan, for you Tower-junkies) is not ready to speak
to him on the subject. I hope she speaks soon.

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